| If you're a new and yet-to-be-published writers, | | | | something about advertising and salesmanship. |
| chances are you've been tempted by magazine | | | | Subsidy Publishing |
| ads promising "Get Published Now!" or "We'll help | | | | Authors who balk at the high monetary |
| you self-publish!" Maybe you've submitted material | | | | investment involved in self-publishing may turn to |
| to traditional publishers and received rejection | | | | subsidy publishing which is sometimes (but not |
| letters, and in frustration you've thought, "Maybe I | | | | always) less expensive. The author still makes a |
| should just self-publish." | | | | monetary investment and bears all the risks, but |
| But where do you begin? A quick search on the | | | | instead of keeping the profits, the author receives |
| web reveals a bewildering array of self-publishing | | | | royalties from the company. The company prints |
| options. How many are legitimate? How many are | | | | the book, often on a POD basis, may file for |
| rip-offs? And how can you tell? | | | | copyright in the author's name (sometimes for a |
| Let's look at what publishing, self-publishing, and | | | | fee), and may supply the ISBN number (also for a |
| subsidy publishing actually mean. | | | | fee). The ISBN number belongs to the subsidy |
| Traditional Publishing | | | | publisher, not to the author. The book also bears |
| It its broadest sense, the verb "to publish" means | | | | the imprint of the subsidy publisher, not the |
| "to make public." By this definition, "publishing" can | | | | author's own publishing company. This is the |
| be anything from a printed book between two | | | | distinction between self-publishing and subsidy |
| covers to a notice pinned up on a supermarket | | | | publishing: a self-published book is published by the |
| bulletin board. Blogs, web pages, newsletters, and | | | | author's own publishing company and bears an |
| self-printed pamphlets are all forms of publishing. | | | | ISBN number belonging to the author, while a |
| When we speak of "traditional" publishing, we | | | | book published by a subsidy press bears the |
| refer to companies that buy the rights to make | | | | name of the subsidy press, and the ISBN number |
| selected works public. A traditional publisher, | | | | belongs to that company. |
| whether small or large, will select the best work | | | | Subsidy publishers often advertise in the backs of |
| out of many submissions, draw up a contract | | | | writers' magazines, often with glowing terms of |
| with the author, take out a copyright in the | | | | what they will do for the author. The services |
| author's name, and pay the author for various | | | | they offer vary from company to company. |
| rights, including first publication rights. The publisher | | | | Some will provide editing and layout services. |
| makes the entire monetary investment, as well | | | | Some are selective about the books they accept. |
| as taking all the monetary risk, and recoups that | | | | Most, however, accept any and all manuscripts |
| investment from book sales. The author may be | | | | that come their way. Some do so with the belief |
| paid an "advance," which is an "advance against | | | | that they are helping the author. But are they |
| royalties." Once the advance is earned back, the | | | | really? |
| author receives any additional royalties from | | | | Some books are simply unsellable. They may be |
| further book sales. | | | | poorly written. They may have spelling and |
| In order to succeed in the competitive world of | | | | grammatical errors. In the case of fiction, perhaps |
| book sales, the publisher must be highly selective | | | | the plot is weak, or the characters wooden. In |
| about the books it choses to publish. No one can | | | | the case of nonfiction, perhaps there are |
| predict actual book sales, and the industry is | | | | inaccuracies, or the topic is of little interest to the |
| sometimes taken by surprise by a book that | | | | general public. In both types of books, it may be |
| suddenly soars to the top of the best-seller list | | | | that the writing is simply too dull to hold a reader's |
| (or that plunges far below expectations). | | | | interest. |
| Nevertheless, a publishing company cannot afford | | | | "But," some will ask, "isn't all that up to the author |
| to take risks on books that it believes are unlikely | | | | to decide?" |
| to sell. | | | | No. That is up to the reader to decide. Writers do |
| This is why so few of the manuscripts that are | | | | write from their own hearts, but just because |
| submitted to a traditional publisher are accepted. | | | | someone has written something does not oblige |
| Each publisher receives thousands of manuscripts | | | | anyone else to buy and read it. The author who |
| per year. A large number of these are | | | | wishes to be published writes for an audience, and |
| unpublishable in some way: poorly written, | | | | must consider that audience before deciding |
| inappropriate for that publisher, even illegible. A | | | | whether or not to publish a particular piece of |
| small number are publishable, and only some of | | | | work. |
| these can be accepted, since the publisher has | | | | This is why it is so important to understand the |
| only so many slots in the year's publishing | | | | market. And a company that promises to "publish" |
| schedule. In order to be accepted, the manuscript | | | | anything with little regard to its quality is not giving |
| must have good sales appeal, must fill a need for | | | | the author all the information necessary for |
| the publisher, must be well-written, and should be | | | | success. This is why subsidy presses are |
| presented professionally. | | | | sometimes called "vanity" presses: the worst ones |
| Self-publishing | | | | will publish anything, offer glowing praise, take an |
| Authors who self-publish bypass traditional | | | | author's money, and offer almost nothing in the |
| publishers by creating their own small publishing | | | | way of marketing. A vanity press exists to offer |
| company. The author makes all the monetary | | | | ego-stroking in exchange for money. |
| investments and takes all the monetary risks, but | | | | Some, the lowest of all, offer nothing in exchange |
| keeps all the profits. | | | | for money. The owner of one of the worst of |
| In order to self-publish a book, an author must | | | | these, Press-Tige Publishing Company, was |
| find a good printing service that produces | | | | indicted in federal court recently for bilking |
| high-quality books. In these days of Publish On | | | | hundreds of people out of their money and giving |
| Demand (POD), finding a good, affordable service | | | | nothing in return. |
| that produces a quality product is becoming | | | | Subsidy publishers also tend to put a high cover |
| increasingly difficult, as more service use POD | | | | price on their books, which makes the books |
| equipment that may or may not produce quality | | | | more difficult to sell. With marketing possibilities |
| books. Before investing in a POD service, it's | | | | already reduced by bookstores' reluctance to deal |
| always wise to obtain a sample copy. | | | | with subsidy and vanity publishers, a high cover |
| The self-published author files for copyright, | | | | price can put a further sharp crimp in sales. |
| obtains a Library of Congress number, and pays | | | | Subsidy publishers may be a reasonable option for |
| for an ISBN number and bar code. While the latter | | | | people who don't expect high sales, who have a |
| is not absolutely necessary if one plans to sell | | | | readily-accessible market available, or who have |
| locally, it is necessary if the author wishes to sell | | | | family and friends ready and willing to buy the |
| books through online bookstores and through | | | | book as soon as it is available. For people who |
| book distributors. | | | | want more control over their work, who are |
| Copyright is obtained through the U.S. Copyright | | | | ready and willing to do the marketing, who are |
| Office. You do not need to obtain a copyright if | | | | prepared to take the financial risk, and who want |
| submitting to traditional publishers. | | | | brisk sales, including sales to bricks-and-mortar |
| ISBN numbers are purchased through the U.S. | | | | bookstores, self-publishing may be a better option. |
| ISBN office, and bar codes are obtained through | | | | In Summary |
| Bowker's. ISBN numbers are purchased in | | | | In short, the three main types of publishing and |
| multiples, under the expectation that a publisher, | | | | their pros and cons are: |
| large or small, will be publishing more than one | | | | Traditional publishing: In which the publisher takes |
| book. They are not cheap; however, owning your | | | | all financial risks, pays the author a royalty, and |
| own ISBN number rather than letting a subsidy | | | | does most of the marketing. Pros: Higher potential |
| publisher supply one for you is advantageous | | | | for sales, especially with a big company, higher |
| when trying to sell books through distributors. | | | | prestige, and professional marketing. Cons: Difficult |
| Distributors and bookstores are often leery of | | | | to break into, reluctance to accept a book that |
| buying books from subsidy publishers, especially | | | | won't sell thousands of copies, sometimes a |
| the notorious "vanity" publishers, and these | | | | reluctance to take chances. |
| publishers are easily identified in a database by | | | | Self-publishing: In which the author takes all |
| their ISBN numbers. | | | | financial risks, publishes under his or her own |
| The self-published author must be willing to do all | | | | imprint, does all of the marketing, and keeps all of |
| the marketing. Getting the book listed on or | | | | the profits. Pros: More control over the book |
| Barnes & Noble Online is rarely enough. Only | | | | itself, able to publish books that traditional |
| a small percentage of books sold in the U.S. are | | | | publishers may view as risky, potential for good |
| sold through online bookstores, and only a tiny | | | | profits if the book sells well. Cons: Author risks |
| fraction of these are self-published books. Most | | | | losing money if the book does not sell, author |
| books are sold through bricks-and-mortar | | | | must be adept at marketing and standard |
| bookstores, which buy their books through | | | | business practices, lower prestige. |
| distributors. Getting one's books listed with a | | | | Subsidized ("vanity") publishing: In which the author |
| distributor can be expensive; however, some | | | | takes most or all of the financial risks, publishes |
| book printing services can help with this. Authors | | | | under the publisher's imprint, does most of the |
| can also increase their sales by hand-selling their | | | | marketing, and is paid a royalty on the books that |
| books through book signings, author tables at local | | | | are sold. Pros: May be less expensive than |
| fairs and events, their own website, and by word | | | | self-publishing, often very easy to do. Cons: |
| of mouth through their network of friends and | | | | Author risks losing money if the book does not |
| acquaintances. Self-publishers must understand the | | | | sell, author must still do most of the marketing, |
| market, do their marketing research, and know | | | | lowest prestige of all. |