The Indie Author Revolution

I remember well the night I first heard Nirvana. Iwhat the rest of us will read this year - ambitious
was sunk in wretched and ugly despondency, notauthors are exploring alternatives like self- or
wanting to talk to anyone and hating myself. Iprint-on-demand publishing. They seek greater
couldn't discern or articulate my inner state, evencreative control (i.e., no editors or agents
to myself. There was no separating cause anddemanding drastic alterations to authors'
effect. Then Kurt Cobain wove his uncanny spell.manuscripts based upon their knowledge of "what
Suddenly I experienced my apathy, my sense ofsells"), higher royalties, and the means to skirt
loneliness and alienation - even my depressionaround the powers that have hitherto been acting
itself - all these emotions as EMPOWERING.as the gatekeepers of the publishing world.
Talk about waving your freak flag.Getting hip to underground music required not
Nirvana's success paved the road to recognitiononly soul-searching and discrimination but also a
for a lot of other great underground bands likefair amount of leg-work. The records were hard
the Screaming Trees, the Meat Puppets, theto find, and because they went largely ignored by
Melvins; bands that provided a welcomeradio and MTV one often didn't know which ones
alternative to the bland and condescending musicwere worth laying down one's hard-earned money
that was being force-fed to the masses by thefor. An independently-thinking fantasy enthusiast
industry. The "grunge" movement of the earlyfaces a similar dilemma today when searching for
'90's was the closest my generation ever camesomething other than Harry Potter or recycled
to spiritual union. A community took root andTolkien to read.
grew, gathering misfits from every far-flungHere the internet proves a valuable resource.
corner until it was massive enough to shake upDiscussion groups, forums and chat-rooms have
the status-quo. This uprising snatched music fromcreated cyber-tribes that congregate around
the hands of the corporate world and delivered itevery conceivable subject and interest. Word of
back to the people. It was fueled not only bymouth travels fast these days - and between
hard work on the part of the bands, but also bymillions of people who've never even met. has
word of mouth - and the invaluable support ofturned readers into reviewers. Authors have their
independent labels, magazines and record stores.own websites where they post excerpts and
The media generally didn't know what to make ofsample chapters from their works. The internet is
it. Record companies were rethinking theirthe ideal launching pad for the indie-book
strategies and scrambling to hop on therevolution, because it's taken tools previously
bandwagon. Oftentimes they latched onto themonopolized by corporate publishing and made
surface trappings - unkempt long hair, flannelthem available to us common folks. Books that,
shirts and stage-diving - and missed the spirit ofonce upon a time, would've been rejected
the happening entirely. There was no Institute ofbecause they didn't fit into any cookie-cutter
the Arts where one could go to learn how togenres can now find a community to embrace
translate the frustrations of thethem.
twenty-somethings into timeless music.Ultimately, when we as authors take our creative
I miss the excitement of that time, the feelingdestiny into our own hands we're giving ourselves
that the ball was in our hands and we were finallypermission to BE OURSELVES - and allowing
going to see some movement and change.others a glimpse of our true nature.
There is an upheaval occuring now within theA cultural climate where new ideas proliferate -
publishing industry that will make it possible for aand are exchanged - is an environment wherein
similar grass-roots movement to flourish throughthe soul can expand and breathe. Art is meant to
the medium of books and literature. Frustrated byopen the windows and air out the closets. It
the major publishing houses and their worship ofshould not be bound, like Prometheus, to the rock
the bottom line - and the elitist milieu wherein aof publisher shareholder interests, chain bookstore
handful of people in New York deign to decidemonopolies and Oprah's selections of the month.