| This series of articles deals with the construction | | | | separate document on the computer. Create a |
| of the commercial novel - the popular categories | | | | folder in which to store these documents. Get |
| or genre. Literary works may have different and | | | | into the habit of creating new documents each |
| individual structures. | | | | time you start a new chapter, otherwise the |
| Most everyone can write a narrative, but merely | | | | whole thing will become unwieldy when revising |
| writing narrative is the least skill a writer needs to | | | | and editing. |
| succeed as a published author. There are no rules | | | | When saving chapter documents it is a good idea |
| in writing but there are conventions which writers | | | | to name them starting - chapter 01, 02, 03 etc. |
| should adhere to if they wish to be published. This | | | | so that the computer keeps them in order in |
| article, the first of the series, deals with the initial | | | | your folder. Saving and storing chapter documents |
| steps to be taken in writing the successful novel. | | | | by name i.e. 'chapter one, chapter two, chapter |
| For the new writer - let us first look at the basic | | | | three...' is meaningless to a computer. Without a |
| conventions of presentation before getting down | | | | folder it will store them in any odd space it can |
| to the mechanics of writing the novel. The first | | | | find, making it difficult for the writer to find them |
| person who will see your manuscript is the editor | | | | again. Even if kept in a folder, if the chapters are |
| of your target publisher. Publishers are besieged | | | | not saved numerically, it will store them |
| daily by probably hundreds of manuscripts from | | | | haphazardly which can lead to problems for the |
| hopeful writers. The editor can tell at a glance at | | | | author and wastes time. |
| the first page whether it is worth his while to | | | | Commercial novels range in length from around |
| continue to read. The 'clean' appearance of a | | | | 80,000 words to 120,000 words. Length, of |
| manuscript may help persuade him to do so. The | | | | course, depends on the breadth and scope of the |
| basics of presentation of a manuscript are that it | | | | tale you want to tell. However, when deciding the |
| should be double spaced on one side of the paper | | | | length of your proposed novel bear in mind the |
| only with reasonable margins either side for the | | | | initial costs to the publisher in producing the novel. |
| editor to make notes. | | | | Shorter novels require smaller outlay then big |
| It is best if the pages appear to have just come | | | | blockbusting novels. Costs may be a factor in the |
| out of a typewriter. The best font is Courier New | | | | publisher's decision as to whether or not to take |
| or Courier 12. Avoid fancy fonts which will annoy | | | | on your novel so it is worth bearing in mind. |
| the editor. Fussiness in a manuscript appears | | | | There can be as many chapters in your novel as |
| unprofessional. | | | | is required to tell your story. Chapters can range |
| Do number each page at the top right-hand | | | | in length from several thousands words to just |
| corner. (No number appears on the title page - | | | | one word. |
| see below). For a busy editor page numbers are | | | | However, it is best if the author does not think in |
| harder to spot if they appear at the bottom of | | | | terms of chapters when considering the structure |
| the page. Clarity is everything. | | | | and construction of his novel, but in terms of |
| Do not include the title of the work on any page | | | | scenes. Chapters are essential in novels, but they |
| of the manuscript. Instead, the title and the 'by | | | | are not the building bricks of the novel. The |
| line' of the author should appear on a separate | | | | fundamental building bricks are words, of course, |
| sheet of paper - the title page. At the bottom of | | | | but we need to start at the next level - scenes. |
| this page include the author's name, address and | | | | Novels are structured in scenes - one scene |
| telephone number, also the number of words in | | | | following another. It should become obvious to the |
| the manuscript. | | | | author which scenes belong together to create a |
| The chapter heading i.e. 'Chapter One' appears half | | | | chapter. A chapter can contain one scene or ten. |
| way down the first page of the manuscript. | | | | There is no hard and fast convention there. |
| There is no need of a 'by line' here. Do not indent | | | | There is a great deal of work to do before |
| the first line, but each paragraph thereafter should | | | | starting to write. The big question which haunts |
| be indented. | | | | many writers is - 'What shall I write about? The |
| Each chapter should begin on a new page. It goes | | | | next article in the series explores that vexed |
| without saying that each chapter should be a | | | | question. Finding an idea - and making it viable. |